{"id":3932,"date":"2025-02-20T12:40:54","date_gmt":"2025-02-20T11:40:54","guid":{"rendered":"https:\/\/jlggb.net\/blog9\/?p=3932"},"modified":"2025-07-02T13:24:13","modified_gmt":"2025-07-02T11:24:13","slug":"beton-caresse","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog9\/2025\/02\/20\/beton-caresse\/","title":{"rendered":"B\u00e9ton caress\u00e9"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2025\/07\/kobe_hyogi_museum_ando_20250220_12-40.jpg-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3933\" src=\"https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2025\/07\/kobe_hyogi_museum_ando_20250220_12-40.jpg-scaled.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2025\/07\/kobe_hyogi_museum_ando_20250220_12-40.jpg-scaled.jpg 1920w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2025\/07\/kobe_hyogi_museum_ando_20250220_12-40.jpg-225x300.jpg 225w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2025\/07\/kobe_hyogi_museum_ando_20250220_12-40.jpg-768x1024.jpg 768w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2025\/07\/kobe_hyogi_museum_ando_20250220_12-40.jpg-1152x1536.jpg 1152w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2025\/07\/kobe_hyogi_museum_ando_20250220_12-40.jpg-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><br \/>\nJeudi 20 f\u00e9vrier 2025, 12h40, Hyogo Prefectural Museum of Art, Kobe. Les surfaces de b\u00e9ton ponctu\u00e9es de la trame des creux de tirants de banches sont la signature de Tadao Ando. Plus encore que par les lumi\u00e8res qui ont fait sa renomm\u00e9e, on est attir\u00e9 par la douceur au toucher de son b\u00e9ton lisse et d\u00e9licat. Cette sensation est dans le souvenir de l&rsquo;h\u00f4tel mus\u00e9e Benesse House de l\u2019\u00eele de Naoshima, du 21_21 Design Sight de Tokyo, du Vitra de B\u00e2le, du Palazzo Grassi et de la Pointe de la Douane \u00e0 Venise, de la Bourse de Commerce \u00e0 Paris. Il y a trente ans, les dommages \u00e9normes du grand tremblement de terre de Kobe ont d\u00e9truit de tr\u00e8s nombreux immeubles dont les premi\u00e8res r\u00e9alisations de Tadao Ando. Il fit alors don du prix Pritzker, qu&rsquo;il avait obtenu cette ann\u00e9e-l\u00e0, pour une reconstruction de meilleure qualit\u00e9. Ici, l&rsquo;immense mus\u00e9e de Kobe, construit en 2002 devant la mer, t\u00e9moigne aussi de son attention.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeudi 20 f\u00e9vrier 2025, 12h40, Hyogo Prefectural Museum of Art, Kobe. Les surfaces de b\u00e9ton ponctu\u00e9es de la trame des creux de tirants de banches sont la signature de Tadao Ando. Plus encore que par les lumi\u00e8res qui ont fait sa renomm\u00e9e, on est attir\u00e9 par la douceur au toucher de son b\u00e9ton lisse et &hellip; <a href=\"https:\/\/jlggb.net\/blog9\/2025\/02\/20\/beton-caresse\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">B\u00e9ton caress\u00e9<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[363,15],"tags":[],"class_list":["post-3932","post","type-post","status-publish","format-standard","hentry","category-japon","category-art"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts\/3932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/comments?post=3932"}],"version-history":[{"count":11,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts\/3932\/revisions"}],"predecessor-version":[{"id":3965,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts\/3932\/revisions\/3965"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/media?parent=3932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/categories?post=3932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/tags?post=3932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}