{"id":1799,"date":"2024-10-26T17:00:18","date_gmt":"2024-10-26T15:00:18","guid":{"rendered":"https:\/\/jlggb.net\/blog9\/?p=1799"},"modified":"2024-10-27T23:32:03","modified_gmt":"2024-10-27T22:32:03","slug":"in-between","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog9\/2024\/10\/26\/in-between\/","title":{"rendered":"In Between"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2024\/10\/in-between_20241026-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1800\" src=\"https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2024\/10\/in-between_20241026-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2024\/10\/in-between_20241026-scaled.jpg 2560w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2024\/10\/in-between_20241026-300x225.jpg 300w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2024\/10\/in-between_20241026-768x576.jpg 768w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2024\/10\/in-between_20241026-1536x1152.jpg 1536w, https:\/\/jlggb.net\/blog9\/wp-content\/uploads\/2024\/10\/in-between_20241026-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><br \/>\nSamedi 26 octobre 2024, 17h, Maison de la culture du Japon, Paris. Toshiki Okada, dramaturge et romancier japonais dont on a vu, depuis une dizaine d&rsquo;ann\u00e9es, trois pi\u00e8ces \u00e0 part, int\u00e9ressantes, exp\u00e9rimentales et esth\u00e9tiques, propose <em>The Window of Spaceship &lsquo;In-Between&rsquo;<\/em>. On va observer le comportement de six interpr\u00e8tes et leurs paroles en japonais, alors m\u00eame qu&rsquo;ils sont une extraterrestre, un andro\u00efde, ou qu&rsquo;ils vivent au Japon sans que le japonais soit leur langue maternelle. C&rsquo;est l\u00e0 ce qui se manifeste, la v\u00e9rit\u00e9 de la puissance de la parole, renforc\u00e9e par la traduction en surtitrage.<br \/>\nNote 1&nbsp;: de gauche \u00e0 droite, Leon Kou Yonekawa, Mari Ando, Robert Zetzsche, Qiucheng Xu, Ness Roque, Tina Rosner.<br \/>\nNote 2&nbsp;:\u00a0photographier n&rsquo;\u00e9tait peut-\u00eatre pas autoris\u00e9.<br \/>\n2021&nbsp;: <a href=\"https:\/\/jlggb.net\/blog7\/eraser-mountain\/\">https:\/\/jlggb.net\/blog7\/eraser-mountain\/<\/a><br \/>\n2013&nbsp;: <a href=\"http:\/\/jlggb.net\/blog3\/?p=6940\">http:\/\/jlggb.net\/blog3\/?p=6940<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Samedi 26 octobre 2024, 17h, Maison de la culture du Japon, Paris. Toshiki Okada, dramaturge et romancier japonais dont on a vu, depuis une dizaine d&rsquo;ann\u00e9es, trois pi\u00e8ces \u00e0 part, int\u00e9ressantes, exp\u00e9rimentales et esth\u00e9tiques, propose The Window of Spaceship &lsquo;In-Between&rsquo;. On va observer le comportement de six interpr\u00e8tes et leurs paroles en japonais, alors m\u00eame &hellip; <a href=\"https:\/\/jlggb.net\/blog9\/2024\/10\/26\/in-between\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">In Between<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,20,70,110],"tags":[102,340],"class_list":["post-1799","post","type-post","status-publish","format-standard","hentry","category-art","category-dire","category-mots","category-temps","tag-japon","tag-theatre"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts\/1799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/comments?post=1799"}],"version-history":[{"count":16,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts\/1799\/revisions"}],"predecessor-version":[{"id":1816,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/posts\/1799\/revisions\/1816"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/media?parent=1799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/categories?post=1799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog9\/wp-json\/wp\/v2\/tags?post=1799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}