{"id":178,"date":"2021-12-02T22:00:49","date_gmt":"2021-12-02T21:00:49","guid":{"rendered":"http:\/\/jlggb.net\/blog8\/?p=178"},"modified":"2022-12-18T22:17:27","modified_gmt":"2022-12-18T21:17:27","slug":"lawrence-weiner","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog8\/2021\/12\/02\/lawrence-weiner\/","title":{"rendered":"Lawrence Weiner"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-scaled.jpg\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-1443\" srcset=\"https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-scaled.jpg 2560w, https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-300x225.jpg 300w, https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-768x576.jpg 768w, https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-1536x1152.jpg 1536w, https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-2048x1536.jpg 2048w, https:\/\/jlggb.net\/blog8\/wp-content\/uploads\/2021\/12\/lw-mamco-20211027-rip-new-full-150x113.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nJeudi 2 d\u00e9cembre 2021, Paris. Disparition de Lawrence Weiner. Lawrence Weiner, <em>From Wood to Ston<\/em>e, 1974, lettres adh\u00e9sives coll\u00e9es sur le mur, Mamco, Gen\u00e8ve. Je l&rsquo;ai d\u00e9couvert dans <em>Quand les attitudes deviennent forme<\/em>, Kunsthalle de Berne, Harald Szeemann, avril 1969&nbsp;; et suivi toujours depuis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeudi 2 d\u00e9cembre 2021, Paris. Disparition de Lawrence Weiner. Lawrence Weiner, From Wood to Stone, 1974, lettres adh\u00e9sives coll\u00e9es sur le mur, Mamco, Gen\u00e8ve. Je l&rsquo;ai d\u00e9couvert dans Quand les attitudes deviennent forme, Kunsthalle de Berne, Harald Szeemann, avril 1969&nbsp;; et suivi toujours depuis.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,13,19],"tags":[269,35,36],"class_list":["post-178","post","type-post","status-publish","format-standard","hentry","category-art","category-couleur","category-vie","tag-artiste","tag-caracteres","tag-mots"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/posts\/178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/comments?post=178"}],"version-history":[{"count":8,"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/posts\/178\/revisions"}],"predecessor-version":[{"id":1445,"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/posts\/178\/revisions\/1445"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/media?parent=178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/categories?post=178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog8\/wp-json\/wp\/v2\/tags?post=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}