{"id":3897,"date":"2021-11-28T17:00:05","date_gmt":"2021-11-28T16:00:05","guid":{"rendered":"http:\/\/jlggb.net\/blog7\/?p=3897"},"modified":"2024-10-27T23:08:57","modified_gmt":"2024-10-27T22:08:57","slug":"eraser-mountain","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog7\/eraser-mountain\/","title":{"rendered":"Eraser Mountain"},"content":{"rendered":"<p><a href=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3898\" src=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-scaled.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-scaled.jpg 2560w, https:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-1800x1350.jpg 1800w, https:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-768x576.jpg 768w, https:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-1536x1152.jpg 1536w, https:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-2048x1536.jpg 2048w, https:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/12\/t2g-Eraser-Mountain-20211128-jlggb-150x113.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nDimanche 28 novembre 2021, 15h-17h30, Th\u00e9\u00e2tre de Gennevilliers. Du m\u00eame auteur et metteur en sc\u00e8ne Toshiki Okada, on avait pu voir ici, en 2013, <em>Current Location<\/em> [<a href=\"http:\/\/jlggb.net\/blog3\/?p=6940\" target=\"_blank\" rel=\"noopener\">http:\/\/jlggb.net\/blog3\/?p=6940<\/a>] et, au Centre Pompidou, en 2018, <em>Five Days in March<\/em>, remarquables pour leur fa\u00e7on de parler aussi bien par le langage familier que par la codification des gestes. Dans\u00a0<em>Eraser Mountain<\/em>, avec l&rsquo;apport du sculpteur et sc\u00e9nographe Teppei Kaneuji, quatre moments, que vivent aussi bien les trois actrices et les trois acteurs que les objets envahissants, mat\u00e9riaux et outils de mati\u00e8res lisses et de couleurs intenses, montrent un monde qui tombe en panne dans la fuite en avant de la r\u00e9paration.<br \/>\n2024&nbsp;: <a href=\"https:\/\/jlggb.net\/blog9\/2024\/10\/26\/in-between\/\">https:\/\/jlggb.net\/blog9\/2024\/10\/26\/in-between\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dimanche 28 novembre 2021, 15h-17h30, Th\u00e9\u00e2tre de Gennevilliers. Du m\u00eame auteur et metteur en sc\u00e8ne Toshiki Okada, on avait pu voir ici, en 2013, Current Location [http:\/\/jlggb.net\/blog3\/?p=6940] et, au Centre Pompidou, en 2018, Five Days in March, remarquables pour leur fa\u00e7on de parler aussi bien par le langage familier que par la codification des gestes. &hellip; <a href=\"https:\/\/jlggb.net\/blog7\/eraser-mountain\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Eraser Mountain<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,210,30,17],"tags":[608,606,15,605,604,607],"class_list":["post-3897","post","type-post","status-publish","format-standard","hentry","category-constater","category-construire","category-figurer","category-traduire","tag-bruits","tag-corps","tag-japon","tag-objets","tag-theatre","tag-voix"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/comments?post=3897"}],"version-history":[{"count":11,"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3897\/revisions"}],"predecessor-version":[{"id":3993,"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3897\/revisions\/3993"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/media?parent=3897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/categories?post=3897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/tags?post=3897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}