{"id":1289,"date":"2018-07-20T16:00:56","date_gmt":"2018-07-20T14:00:56","guid":{"rendered":"http:\/\/jlggb.net\/blog6\/?p=1289"},"modified":"2018-09-25T21:51:37","modified_gmt":"2018-09-25T19:51:37","slug":"le-livre-dimage","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog6\/2018\/07\/20\/le-livre-dimage\/","title":{"rendered":"Le Livre d\u2019image"},"content":{"rendered":"<p><a href=\"http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/aragno-montage-godard-20180720.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/aragno-montage-godard-20180720.jpg\" class=\"alignnone size-full wp-image-1291\" height=\"480\" alt=\"\" width=\"640\" srcset=\"https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/aragno-montage-godard-20180720.jpg 2400w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/aragno-montage-godard-20180720-300x225.jpg 300w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/aragno-montage-godard-20180720-768x576.jpg 768w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/aragno-montage-godard-20180720-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/aragno-montage-godard-20180720-150x113.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nVendredi 20 juillet 2018, 16h13, Lausanne. Dans son studio de Casa Azul Films, Fabrice Aragno montre, sp\u00e9cialement pour nous, Elisabeth et moi \u2014 pour <em>La Couleurs des jours \u2014<\/em>, le dernier film de Godard, <em>Le Livre d&rsquo;image<\/em>, dont il est le principal artisan mais aussi le producteur, avec Mitra Farahani. Structur\u00e9 comme \u00ab les cinq doigts de la main \u00bb, le film ouvre sa cinqui\u00e8me partie avec le titre \u00ab La r\u00e9gion centrale \u00bb. Il emprunte ici bri\u00e8vement des images au film de Michael Snow, <em>La R\u00e9gion centrale<\/em>, 1970, trois heures d&rsquo;une exploration panoramique de l&rsquo;environnement, depuis le point o\u00f9 la cam\u00e9ra-robot r\u00e9pond \u00e0 un programme de mouvements.<\/p>\n<p><a href=\"http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/godard-farahani-20180720.jpg\" data-rel=\"lightbox-image-1\" data-imagelightbox=\"1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/godard-farahani-20180720.jpg\" class=\"alignnone size-full wp-image-1507\" height=\"480\" alt=\"\" width=\"640\" srcset=\"https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/godard-farahani-20180720.jpg 2400w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/godard-farahani-20180720-300x225.jpg 300w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/godard-farahani-20180720-768x576.jpg 768w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/godard-farahani-20180720-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2018\/07\/godard-farahani-20180720-150x113.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nSuppl\u00e9ment : Fabrice Aragno a saisi le moment, au d\u00e9but de l&rsquo;ann\u00e9e 2018, o\u00f9 Mitra Farahani rend visite \u00e0 Godard pour qu&rsquo;il lui explique le plan de son film.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vendredi 20 juillet 2018, 16h13, Lausanne. Dans son studio de Casa Azul Films, Fabrice Aragno montre, sp\u00e9cialement pour nous, Elisabeth et moi \u2014 pour La Couleurs des jours \u2014, le dernier film de Godard, Le Livre d&rsquo;image, dont il est le principal artisan mais aussi le producteur, avec Mitra Farahani. Structur\u00e9 comme \u00ab les cinq &hellip; <a href=\"https:\/\/jlggb.net\/blog6\/2018\/07\/20\/le-livre-dimage\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Le Livre d\u2019image<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,7],"tags":[277,275,276,278],"class_list":["post-1289","post","type-post","status-publish","format-standard","hentry","category-disposition","category-enonciation","tag-jean-luc-godard","tag-la-region-centrale","tag-le-livre-dimage","tag-michael-snow"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts\/1289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/comments?post=1289"}],"version-history":[{"count":16,"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts\/1289\/revisions"}],"predecessor-version":[{"id":1803,"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts\/1289\/revisions\/1803"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/media?parent=1289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/categories?post=1289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/tags?post=1289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}