{"id":4701,"date":"2012-11-17T12:00:54","date_gmt":"2012-11-17T11:00:54","guid":{"rendered":"http:\/\/jlggb.net\/blog3\/?p=4701"},"modified":"2020-08-21T15:10:38","modified_gmt":"2020-08-21T13:10:38","slug":"reactivation-9e-biennale-de-shanghai","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog3\/?p=4701","title":{"rendered":"Reactivation, 9e biennale de Shanghai"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-zhang-peili.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4715\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-zhang-peili.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-zhang-peili.jpg 1600w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-zhang-peili-300x225.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-zhang-peili-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-zhang-peili-150x112.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-societe-realiste.jpg\" data-rel=\"lightbox-image-1\" data-imagelightbox=\"1\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4709\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-societe-realiste.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-societe-realiste.jpg 1600w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-societe-realiste-300x225.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-societe-realiste-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-societe-realiste-150x112.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-mik.jpg\" data-rel=\"lightbox-image-2\" data-imagelightbox=\"2\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4710\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-mik.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-mik.jpg 1600w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-mik-300x225.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-mik-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-mik-150x112.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghia-leang-sekon.jpg\" data-rel=\"lightbox-image-3\" data-imagelightbox=\"3\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4714\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghia-leang-sekon.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghia-leang-sekon.jpg 1600w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghia-leang-sekon-300x225.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghia-leang-sekon-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghia-leang-sekon-150x112.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-kosuth.jpg\" data-rel=\"lightbox-image-4\" data-imagelightbox=\"4\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4713\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-kosuth.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-kosuth.jpg 1600w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-kosuth-300x225.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-kosuth-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-kosuth-150x112.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-gander.jpg\" data-rel=\"lightbox-image-5\" data-imagelightbox=\"5\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4711\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-gander.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-gander.jpg 1600w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-gander-300x225.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-gander-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/shanghai-gander-150x112.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nSamedi 17 novembre 2012, 11h &#8211; 17h, Shanghai, Power Station of Art, <em>Reactivation<\/em>, 9e biennale de Shanghai. Quelques-unes des \u0153uvres remarqu\u00e9es et document\u00e9es.<br \/>\nZhang Peili (Chine), <em>QAQ<\/em>, installation vid\u00e9o, 2012. Policier et personne interrog\u00e9e simplement confront\u00e9s dans deux \u00e9crans s\u00e9par\u00e9s et l\u00e9g\u00e8rement d\u00e9cal\u00e9s.<br \/>\nSoci\u00e9t\u00e9 r\u00e9aliste (collectif fran\u00e7ais), <em>State of Shades: Chinese National Oil Painting<\/em>, 2012, installation, peinture. Un ensemble de couleurs pr\u00e9lev\u00e9es sur 175 peintures du National Art Museum of China pr\u00e9sentes sur Internet.<br \/>\nAernout Mik et Marjoleine Boonstra (Pays Bas), <em>Plywood Dwelling<\/em>, 2008, installation vid\u00e9o. C&rsquo;est une r\u00e9plique des \u00e9troits dortoirs d&rsquo;une petite usine de Shanghai avec de jeunes figurants.<br \/>\nLeang Seckon (Cambodge), <em>Parachute Light<\/em>, 1970-2012, peinture, tissu. L&rsquo;artiste \u00e9voque les parachutes nocturnes, porteurs de mort et r\u00e9cup\u00e9r\u00e9s pendant la guerre.<br \/>\nJoseph Kosuth (\u00c9tats Unis), <em>Any Knowledge (for Shanghai)<\/em>, 2012, n\u00e9on. Les textes et dessins confrontent Darwin et Nietzsche.<br \/>\nRyan Gander (Royaume Uni), <em>Arrows<\/em>, installation, 2012. Les fl\u00e8ches sont plant\u00e9es comme si elles avaient \u00e9t\u00e9 tir\u00e9es depuis l&rsquo;entr\u00e9e de la salle.<\/p>\n<blockquote><p><a href=\"http:\/\/www.shanghaibiennale.org\/en\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4712\" title=\"reactivation-shanghai\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/reactivation-shanghai.jpg\" alt=\"\" width=\"240\" height=\"240\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/reactivation-shanghai.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/11\/reactivation-shanghai-150x150.jpg 150w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><br \/>\nLogo de la 9e biennale de Shanghai&nbsp;: <a href=\"http:\/\/www.shanghaibiennale.org\/en\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.shanghaibiennale.org\/en\/<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Samedi 17 novembre 2012, 11h &#8211; 17h, Shanghai, Power Station of Art, Reactivation, 9e biennale de Shanghai. Quelques-unes des \u0153uvres remarqu\u00e9es et document\u00e9es. Zhang Peili (Chine), QAQ, installation vid\u00e9o, 2012. Policier et personne interrog\u00e9e simplement confront\u00e9s dans deux \u00e9crans s\u00e9par\u00e9s et l\u00e9g\u00e8rement d\u00e9cal\u00e9s. Soci\u00e9t\u00e9 r\u00e9aliste (collectif fran\u00e7ais), State of Shades: Chinese National Oil Painting, 2012, &hellip; <a href=\"https:\/\/jlggb.net\/blog3\/?p=4701\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Reactivation, 9e biennale de Shanghai<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[560],"class_list":["post-4701","post","type-post","status-publish","format-standard","hentry","category-arts","tag-biennale-de-shanghai"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/posts\/4701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4701"}],"version-history":[{"count":0,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/posts\/4701\/revisions"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}