{"id":2084,"date":"2012-04-13T14:00:33","date_gmt":"2012-04-13T12:00:33","guid":{"rendered":"http:\/\/jlggb.net\/blog3\/?p=2084"},"modified":"2020-08-23T12:03:49","modified_gmt":"2020-08-23T10:03:49","slug":"the-china-girl","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog3\/?p=2084","title":{"rendered":"The China Girl"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-china-girl.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2086\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-china-girl.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-china-girl.jpg 1280w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-china-girl-300x225.jpg 300w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-china-girl-1024x768.jpg 1024w, https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-china-girl-150x112.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-paris8.jpg\" data-rel=\"lightbox-image-1\" data-imagelightbox=\"1\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2085\" title=\"\" src=\"https:\/\/jlggb.net\/blog3\/wp-content\/uploads\/2012\/04\/morgan-fisher-paris8.jpg\" alt=\"\" width=\"640\" height=\"480\" \/><\/a><br \/>\nVendredi 13 avril 2012, 11h-14h, Universit\u00e9 Paris 8, Saint-Denis. Le cin\u00e9aste d&rsquo;avant-garde et professeur am\u00e9ricain Morgan Fisher re\u00e7oit le titre de docteur honoris causa (on le voit, avec un chapeau, qui tient son dipl\u00f4me). Son film <em>Standard Gauge<\/em>, 1984, est projet\u00e9 dans l&rsquo;amphi X. Ce film en 16 mm fait d&rsquo;un seul plan au banc-titre de 35 minutes montre, comme des objets, avec son commentaire, une collection de fragments de pellicule 35 mm provenant de films connus ou inconnus. Ils constituent une forme de r\u00e9cit des services de montage et de tirage des copies \u00e0 Los Angeles. Ainsi, un morceau de <a href=\"https:\/\/jlggb.net\/blog3\/?p=1263\" target=\"_blank\" rel=\"noopener\"><em>La Chinoise<\/em><\/a> \u2014 titre anglais&nbsp;: <em>The Chinese Girl<\/em> \u2014, sans image mais avec des sous-titres anglais reconnaissables, puis diverses versions d&rsquo;images d&rsquo;un visage de femme plac\u00e9es sur l&rsquo;amorce des films pour en guider l&rsquo;\u00e9talonnage des couleurs. Les techniciens am\u00e9ricains nomment ce \u00ab\u00a0personnage \u00bb China Girl. J&rsquo;aurais voulu poser cette question&nbsp;: quelle diff\u00e9rence entre \u00ab\u00a0Chinese Girl\u00a0\u00bb et \u00ab\u00a0China Girl\u00a0\u00bb&nbsp;?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vendredi 13 avril 2012, 11h-14h, Universit\u00e9 Paris 8, Saint-Denis. Le cin\u00e9aste d&rsquo;avant-garde et professeur am\u00e9ricain Morgan Fisher re\u00e7oit le titre de docteur honoris causa (on le voit, avec un chapeau, qui tient son dipl\u00f4me). Son film Standard Gauge, 1984, est projet\u00e9 dans l&rsquo;amphi X. Ce film en 16 mm fait d&rsquo;un seul plan au banc-titre &hellip; <a href=\"https:\/\/jlggb.net\/blog3\/?p=2084\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">The China Girl<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,74],"tags":[257,256,255],"class_list":["post-2084","post","type-post","status-publish","format-standard","hentry","category-films","category-personnes","tag-la-chinoise","tag-morgan-fisher","tag-universite-paris-8"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/posts\/2084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2084"}],"version-history":[{"count":0,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=\/wp\/v2\/posts\/2084\/revisions"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog3\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}