{"id":846,"date":"2010-01-23T18:00:04","date_gmt":"2010-01-23T18:00:04","guid":{"rendered":"http:\/\/jlggb.net\/blog2\/?p=846"},"modified":"2026-02-22T23:14:38","modified_gmt":"2026-02-22T22:14:38","slug":"couleurs-actives","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog2\/?p=846","title":{"rendered":"Couleurs actives"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-transchromie-m\u00e9canique-A.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-845\" title=\"\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-transchromie-m\u00e9canique-A.jpg\" alt=\"\" width=\"640\" height=\"480\" \/><\/a><\/p>\n<p>Carlos Cruz-Diez, <em>Transchromie m\u00e9canique A<\/em>, 1965-2009.<\/p>\n<p><a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-2010.jpg\" data-rel=\"lightbox-image-1\" data-imagelightbox=\"1\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-848\" title=\"\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-2010.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-2010.jpg 1280w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-2010-300x225.jpg 300w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-2010-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><\/a>Carlos Cruz-Diez, <em>Couleur additive<\/em>, 2008.<\/p>\n<p>Samedi 23 janvier 2010, 16h30, galerie Lavignes, Paris 11e, exposition de Carlos Cruz-Diez (son site&nbsp;: <a href=\"http:\/\/www.cruz-diez.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.cruz-diez.com\/<\/a>). En 1968, j&rsquo;avais employ\u00e9 une composition de lui pour l&rsquo;affiche et le catalogue de <em>Cin\u00e9tisme, spectacle, environnement<\/em>, l&rsquo;exposition de Frank Popper \u00e0 la Maison de la culture de Grenoble (ci-dessous). On peut noter la co\u00efncidence des couleurs de Buren (billet pr\u00e9c\u00e9dent) et de celles \u2014 historiques \u2014 de Cruz-Diez; sans parler des rayures&#8230; Il y a en outre dans le travail ancien de Cruz-Diez, \u00e0 l&rsquo;exemple des cabines color\u00e9es install\u00e9es \u00e0 No\u00ebl 1969 sur la place du m\u00e9tro Od\u00e9on (\u00e0 laquelle j&rsquo;ai un peu contribu\u00e9 comme assistant de Frank Popper, commissaire de la manifestation) qui trouveront un \u00e9cho dans les plexiglas color\u00e9s du Buren des ann\u00e9es r\u00e9centes.<\/p>\n<p><a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-od\u00e9on-1970.jpg\" data-rel=\"lightbox-image-2\" data-imagelightbox=\"2\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-896\" title=\"\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez-od\u00e9on-1970.jpg\" alt=\"\" width=\"240\" height=\"189\" \/><\/a><\/p>\n<p>Carlos Cruz-Diez, environnement, d\u00e9c. 1969, bld St-Germain, m\u00e9tro Od\u00e9on, Paris. (dr)<\/p>\n<p><a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez_grenoble_1968.jpg\" data-rel=\"lightbox-image-3\" data-imagelightbox=\"3\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-850 alignnone\" title=\"\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez_grenoble_1968.jpg\" alt=\"\" width=\"244\" height=\"330\" srcset=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez_grenoble_1968.jpg 640w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez_grenoble_1968-222x300.jpg 222w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><\/a><em><\/p>\n<p>Cin\u00e9tisme, spectacle, environnement<\/em>, Catalogue, Grenoble, 1968. (JLggB)<\/p>\n<p><a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/1968-cinetisme-02.jpg\" data-rel=\"lightbox-image-4\" data-imagelightbox=\"4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-862\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/1968-cinetisme-02.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/1968-cinetisme-02.jpg 1280w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/1968-cinetisme-02-300x225.jpg 300w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/1968-cinetisme-02-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nPique-nique \u00e0 l&rsquo;Ile verte, Grenoble, le 11 mai 1968, pour l&rsquo;ouverture de l&rsquo;exposition <em>Cin\u00e9tisme, spectacle, environnement<\/em> \u00e0 la Maison de la culture. On reconna\u00eet notamment&nbsp;: \u00e0 gauche, avec lunettes, Carlos Cruz-Diez, au centre, Aline Dallier, \u00e0 droite, avec cravate, Enzo Mari. (Photo JLggB \u00a9 1968)<a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/cruz-diez_grenoble_1968.jpg\" data-rel=\"lightbox-image-5\" data-imagelightbox=\"5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><br \/>\n<\/a>Voir une autre photo du m\u00eame moment&nbsp;: <a href=\"https:\/\/jlggb.net\/blog2\/?p=2440\" target=\"_self\">https:\/\/jlggb.net\/blog2\/?p=2440<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carlos Cruz-Diez, Transchromie m\u00e9canique A, 1965-2009. Carlos Cruz-Diez, Couleur additive, 2008. Samedi 23 janvier 2010, 16h30, galerie Lavignes, Paris 11e, exposition de Carlos Cruz-Diez (son site&nbsp;: http:\/\/www.cruz-diez.com\/). En 1968, j&rsquo;avais employ\u00e9 une composition de lui pour l&rsquo;affiche et le catalogue de Cin\u00e9tisme, spectacle, environnement, l&rsquo;exposition de Frank Popper \u00e0 la Maison de la culture de &hellip; <a href=\"https:\/\/jlggb.net\/blog2\/?p=846\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Couleurs actives<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,166,95],"tags":[167,168],"class_list":["post-846","post","type-post","status-publish","format-standard","hentry","category-coincidence","category-couleur","category-exposition","tag-art-optique","tag-cinetisme"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts\/846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=846"}],"version-history":[{"count":8,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts\/846\/revisions"}],"predecessor-version":[{"id":8597,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts\/846\/revisions\/8597"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}