{"id":1000,"date":"2010-01-30T14:00:30","date_gmt":"2010-01-30T14:00:30","guid":{"rendered":"http:\/\/jlggb.net\/blog2\/?p=1000"},"modified":"2025-11-16T00:38:50","modified_gmt":"2025-11-15T23:38:50","slug":"che-fare","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog2\/?p=1000","title":{"rendered":"Che fare"},"content":{"rendered":"<p>Toute petite exposition \u00e0 la <a href=\"http:\/\/www.alaingutharc.com\/home.php\" target=\"_blank\">galerie Alain Gutharc<\/a>, Paris&nbsp;: <em>Che fare<\/em> (sans point d&rsquo;interrogation), l&rsquo;occasion de la publication d&rsquo;un manifeste, d&rsquo;une protestation \u00e0 propos des \u00ab de?rives de la production d&rsquo;objets et de la situation du design en ge?ne?ral \u00bb par Enzo Mari et Gabriele Pezzini.<br \/>\nEnzo Mari&nbsp;: \u00ab On me demande souvent de faire un nouveau projet. Mais pour qu\u2019il soit nouveau, comment puis-je le faire&nbsp;? Pour chaque approche et par rapport \u00e0 chaque technique, je connais des milliers d\u2019objets pr\u00e9existants. [\u2026] Que font les millions d\u2019autres \u00ab designers \u00bb, des jeunes, pour la plupart, que les \u00e9coles ont dipl\u00f4m\u00e9s (et elles ne cessent de continuer \u00e0 le faire) selon les m\u00eames modalit\u00e9s industrielles de production de marchandises&nbsp;? Tous, m\u00eame confus\u00e9ment, pensaient choisir un travail non ali\u00e9n\u00e9, mais la majeure partie d\u2019entre eux ne trouve aucun emploi&#8230; Certains pensent que l\u2019\u00ab art pompier \u00bb est l\u2019avant-garde d\u2019une nouvelle culture&#8230; D\u2019autres, au contraire, r\u00eavent d\u2019une transformation possible, en travaillant sur une simplicit\u00e9 essentielle, mais tout a d\u00e9j\u00e0 \u00e9t\u00e9 \u00ab progettare \u00bb et les amateurs de t\u00e9l\u00e9-r\u00e9alit\u00e9 n\u2019aiment pas la simplicit\u00e9. \u00bb<\/p>\n<p>Enzo Mari&nbsp;: \u00ab Le mot design est devenu un mot pornographique. \u00bb (France culture, 8 janvier 2010)<\/p>\n<p>Gabriele Pezzini&nbsp;: \u00ab Le standard, c&rsquo;est l&rsquo;utopie de la belle forme. \u00bb (France culture, 8 janvier 2010)<\/p>\n<p><a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-box.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1003\" title=\"\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-box.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-box.jpg 1280w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-box-300x225.jpg 300w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-box-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-sof-sof.jpg\" data-rel=\"lightbox-image-1\" data-imagelightbox=\"1\" data-rl_title=\"\" data-rl_caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1004\" title=\"\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-sof-sof.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-sof-sof.jpg 1280w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-sof-sof-300x225.jpg 300w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/mari-sof-sof-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nSamedi 30 janvier 2010, 14h, galerie Alain Gutharc, 7 rue Saint-Claude, Paris. Deux chaises d&rsquo;Enzo Mari&nbsp;: <em>Box<\/em>, 1971 et <em>Sof Sof<\/em>, 1971.<\/p>\n<p>Sur Enzo Mari, voir les billets de jlggbblog 1&nbsp;: <a href=\"http:\/\/jlggb.net\/blog\/?p=1845\" target=\"_self\">\u00ab Inventaire&nbsp;: 2006.0.3 \u00bb du 20 mars 2009<\/a>, <a href=\"http:\/\/jlggb.net\/blog\/?p=1204\" target=\"_self\">\u00ab La mati\u00e8re Enzo Mari \u00bb du 30 d\u00e9cembre 2008<\/a>, <a href=\"http:\/\/jlggb.net\/blog\/?p=1125\" target=\"_self\">\u00ab Wunderkammer \u00bb du 23 d\u00e9cembre 2008<\/a>, <a href=\"http:\/\/jlggb.net\/blog\/?p=1013\" target=\"_self\">\u00ab Perch\u00e9 \u00e8 l\u00ec&nbsp;? \u00bb du 24 d\u00e9cembre 2008<\/a>, <a href=\"http:\/\/jlggb.net\/blog\/?p=408\" target=\"_self\">\u00ab Enzo Mari sugi \u00bb 22 avril 2008<\/a>. Son nom \u2014 et sa photo en 1968 \u2014 apparaissent dans le billet r\u00e9cent consacr\u00e9 \u00e0 Carlos Cruz-Diez&nbsp;: <a href=\"https:\/\/jlggb.net\/blog2\/?p=846\" target=\"_self\">https:\/\/jlggb.net\/blog2\/?p=846<\/a><br \/>\n<a href=\"http:\/\/sites.radiofrance.fr\/chaines\/france-culture2\/emissions\/rendez_vous\/fiche.php?diffusion_id=79964\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1015\" title=\"enzo mari france culture\" src=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/enzo-mari-france-culture.jpg\" alt=\"\" width=\"151\" height=\"113\" srcset=\"https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/enzo-mari-france-culture.jpg 151w, https:\/\/jlggb.net\/blog2\/wp-content\/uploads\/2010\/01\/enzo-mari-france-culture-150x113.jpg 150w\" sizes=\"auto, (max-width: 151px) 100vw, 151px\" \/><\/a><br \/>\nEnzo Mari \u00e0 France culture le 8 janvier 2010. Photo \u00a9\u00a0A\u00efssatou N&rsquo;Doye.<br \/>\n\u00c0 l&rsquo;occasion de cette exposition&nbsp;: <a href=\"http:\/\/sites.radiofrance.fr\/chaines\/france-culture2\/emissions\/rendez_vous\/fiche.php?diffusion_id=79964\">un entretien avec Enzo Mari et Gabriele Pezzini, France culture, <em>Le Rendez-vous<\/em>, 8 janvier 2010.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Toute petite exposition \u00e0 la galerie Alain Gutharc, Paris&nbsp;: Che fare (sans point d&rsquo;interrogation), l&rsquo;occasion de la publication d&rsquo;un manifeste, d&rsquo;une protestation \u00e0 propos des \u00ab de?rives de la production d&rsquo;objets et de la situation du design en ge?ne?ral \u00bb par Enzo Mari et Gabriele Pezzini. Enzo Mari&nbsp;: \u00ab On me demande souvent de faire &hellip; <a href=\"https:\/\/jlggb.net\/blog2\/?p=1000\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Che fare<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50,95],"tags":[182,181,183],"class_list":["post-1000","post","type-post","status-publish","format-standard","hentry","category-design","category-exposition","tag-chaise","tag-enzo-mari","tag-manifeste"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts\/1000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1000"}],"version-history":[{"count":1,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts\/1000\/revisions"}],"predecessor-version":[{"id":8569,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=\/wp\/v2\/posts\/1000\/revisions\/8569"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog2\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}