{"id":862,"date":"2026-05-31T18:15:06","date_gmt":"2026-05-31T16:15:06","guid":{"rendered":"https:\/\/jlggb.net\/blog10\/?p=862"},"modified":"2026-06-02T16:27:20","modified_gmt":"2026-06-02T14:27:20","slug":"daido-moriyama","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog10\/2026\/05\/31\/daido-moriyama\/","title":{"rendered":"Daido Moriyama"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-868\" src=\"https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-scaled.jpg\" alt=\"\" width=\"1721\" height=\"2560\" srcset=\"https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-scaled.jpg 1721w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-202x300.jpg 202w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-834x1240.jpg 834w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-768x1142.jpg 768w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-1033x1536.jpg 1033w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/05\/daido_moriyama_hcb_20260531-1377x2048.jpg 1377w\" sizes=\"auto, (max-width: 1721px) 100vw, 1721px\" \/><\/a><br \/>\nSamedi 31 mai 2026, 18h15, Fondation Henri Cartier-Bresson, rue des Archives, Paris, 3e. Exposition \u00ab\u00a0Daido Moriyama Lettres d\u2019amour \u00e0 la photographie \u00bb. L&rsquo;\u00e9preuve <em>Documentary 78, Setagaya, Tokyo, Japon, avril 1986<\/em> a \u00e9t\u00e9 dans le livre de Moriyama <em>Lettre \u00e0 St. Loup<\/em>, 1990, d\u00e9di\u00e9 \u00e0 son approche de Nic\u00e9phore Ni\u00e9pce, de la premi\u00e8re image, \u00e0 Saint-Loup-de-Varennes en 1826. Dans l&rsquo;exposition, Ni\u00e9pce fait l&rsquo;objet d&rsquo;un chapitre complet et fort int\u00e9ressant, \u00ab\u00a0P\u00e8lerinages\u00a0\u00bb, mais c&rsquo;est dans le chapitre \u00ab\u00a0M\u00e9taphores \u00bb qu&rsquo;elle pr\u00e9sente \u00e0 moi l&rsquo;exp\u00e9rience de l&rsquo;effet miroir, faisant partie de ce que Cl\u00e9ment Ch\u00e9roux, directeur et commissaire, d\u00e9signe par <em>m\u00e9taphotographie<\/em>. Ce qui m&rsquo;a attach\u00e9 \u00e0 Daido Moriyama (1938, Osaka)\u00a0est bien la fa\u00e7on de parler, dans chaque photographie, de la photographie. L&rsquo;indice remarquable de la pr\u00e9sence du photographique est ici la r\u00e9p\u00e9tition de la figure hexagonale du diaphragme de l&rsquo;appareil, comme reflet de la violence de l&rsquo;\u00e9clairage ponctuel, avec ce paradoxe d&rsquo;\u00eatre, sur les yeux, le seul \u00e9l\u00e9ment net.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Samedi 31 mai 2026, 18h15, Fondation Henri Cartier-Bresson, rue des Archives, Paris, 3e. Exposition \u00ab\u00a0Daido Moriyama Lettres d\u2019amour \u00e0 la photographie \u00bb. L&rsquo;\u00e9preuve Documentary 78, Setagaya, Tokyo, Japon, avril 1986 a \u00e9t\u00e9 dans le livre de Moriyama Lettre \u00e0 St. Loup, 1990, d\u00e9di\u00e9 \u00e0 son approche de Nic\u00e9phore Ni\u00e9pce, de la premi\u00e8re image, \u00e0 Saint-Loup-de-Varennes &hellip; <a href=\"https:\/\/jlggb.net\/blog10\/2026\/05\/31\/daido-moriyama\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Daido Moriyama<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,5],"tags":[169,44,171,170],"class_list":["post-862","post","type-post","status-publish","format-standard","hentry","category-art","category-experience","tag-diaphragme","tag-photographie","tag-reflet","tag-yeux"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts\/862","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/comments?post=862"}],"version-history":[{"count":14,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts\/862\/revisions"}],"predecessor-version":[{"id":882,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts\/862\/revisions\/882"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/media?parent=862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/categories?post=862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/tags?post=862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}