{"id":527,"date":"2026-02-04T17:00:13","date_gmt":"2026-02-04T16:00:13","guid":{"rendered":"https:\/\/jlggb.net\/blog10\/?p=527"},"modified":"2026-02-22T21:58:49","modified_gmt":"2026-02-22T20:58:49","slug":"huang-binhong","status":"publish","type":"post","link":"https:\/\/jlggb.net\/blog10\/2026\/02\/04\/huang-binhong\/","title":{"rendered":"Huang Binhong"},"content":{"rendered":"<p><a href=\"https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-scaled.jpg\" alt=\"\" width=\"1920\" height=\"2560\" class=\"alignnone size-full wp-image-528\" srcset=\"https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-scaled.jpg 1920w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-225x300.jpg 225w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-930x1240.jpg 930w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-768x1024.jpg 768w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-1152x1536.jpg 1152w, https:\/\/jlggb.net\/blog10\/wp-content\/uploads\/2026\/02\/huang_binhong_cernuschi_20260204-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><br \/>\nMercredi 4 f\u00e9vrier 2026, 13h30, mus\u00e9e Cernuschi, Paris, 8e. \u00ab Empreintes du pass\u00e9\u00a0\u00bb montre comment, dans la Chine du XIXe si\u00e8cle, l&rsquo;estampage d&rsquo;inscriptions antiques grav\u00e9es sur la pierre ou coul\u00e9es dans le bronze a contribu\u00e9 \u00e0 une association de la calligraphie et de la peinture portant une forme de modernit\u00e9. L&rsquo;exposition se termine par des \u0153uvres de Huang Binhong (\u9ec3\u8cd3\u8679, 1865-1955). Artiste inspir\u00e9 et th\u00e9oricien marquant de la po\u00e9tique du pinceau c&rsquo;est dans ses derni\u00e8res ann\u00e9es, \u00e0 90 ans, qu&rsquo;il d\u00e9couvre encore une \u00e9criture picturale. \u00ab\u00a0Si ses paysages sont titr\u00e9s de noms de lieux, jamais on ne pourra trouver d&rsquo;o\u00f9 ils auraient \u00e9t\u00e9 \u2018pris\u2019&nbsp;; ils sont vrais parce qu&rsquo;ils sont \u2018invent\u00e9s\u2019 \u00e0 partir d&rsquo;une impr\u00e9gnation pr\u00e9alable.\u00a0\u00bb Cette derni\u00e8re phrase vient du catalogue <em>Cinq grands peintres chinois. La tradition au XXe si\u00e8cle<\/em>, une exposition dont je m&rsquo;\u00e9tais occup\u00e9 au Mus\u00e9e d&rsquo;art moderne de Paris en 1982. <em>Paysage<\/em>, 1955, encre sur papier, Mus\u00e9e provincial du Zhejiang.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mercredi 4 f\u00e9vrier 2026, 13h30, mus\u00e9e Cernuschi, Paris, 8e. \u00ab Empreintes du pass\u00e9\u00a0\u00bb montre comment, dans la Chine du XIXe si\u00e8cle, l&rsquo;estampage d&rsquo;inscriptions antiques grav\u00e9es sur la pierre ou coul\u00e9es dans le bronze a contribu\u00e9 \u00e0 une association de la calligraphie et de la peinture portant une forme de modernit\u00e9. L&rsquo;exposition se termine par des &hellip; <a href=\"https:\/\/jlggb.net\/blog10\/2026\/02\/04\/huang-binhong\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Huang Binhong<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,6,1],"tags":[125,124,43],"class_list":["post-527","post","type-post","status-publish","format-standard","hentry","category-art","category-ecriture","category-non-classe","tag-calligraphie","tag-encre","tag-peinture"],"_links":{"self":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts\/527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/comments?post=527"}],"version-history":[{"count":14,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts\/527\/revisions"}],"predecessor-version":[{"id":542,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/posts\/527\/revisions\/542"}],"wp:attachment":[{"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/media?parent=527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/categories?post=527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jlggb.net\/blog10\/wp-json\/wp\/v2\/tags?post=527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}