{"id":3714,"date":"2021-09-07T14:05:42","date_gmt":"2021-09-07T12:05:42","guid":{"rendered":"http:\/\/jlggb.net\/blog7\/?p=3714"},"modified":"2021-10-13T22:42:10","modified_gmt":"2021-10-13T20:42:10","slug":"un-theatre-des-formes-relationnelles","status":"publish","type":"post","link":"http:\/\/jlggb.net\/blog7\/un-theatre-des-formes-relationnelles\/","title":{"rendered":"Un th\u00e9\u00e2tre des formes relationnelles"},"content":{"rendered":"<p><a href=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-scaled.jpg\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-3715\" srcset=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-scaled.jpg 2560w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-1800x1350.jpg 1800w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-768x576.jpg 768w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-1536x1152.jpg 1536w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-2048x1536.jpg 2048w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/10\/mari-maquette-20210907-jlggb-150x113.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nMardi 7 septembre 2021, 14h05, Triennale, Milan. L&rsquo;exposition Enzo Mari r\u00e9v\u00e8le son art de l&rsquo;exp\u00e9rience. De 1952, ce dispositif en maquette, de l&rsquo;ordre du th\u00e9\u00e2tre, est destin\u00e9 \u00e0 rechercher les relations entre volumes et couleurs, et donc les relations install\u00e9es \u00e0 destination des spectateurs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mardi 7 septembre 2021, 14h05, Triennale, Milan. L&rsquo;exposition Enzo Mari r\u00e9v\u00e8le son art de l&rsquo;exp\u00e9rience. De 1952, ce dispositif en maquette, de l&rsquo;ordre du th\u00e9\u00e2tre, est destin\u00e9 \u00e0 rechercher les relations entre volumes et couleurs, et donc les relations install\u00e9es \u00e0 destination des spectateurs.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107,17],"tags":[64,576,402,575],"class_list":["post-3714","post","type-post","status-publish","format-standard","hentry","category-eprouver","category-traduire","tag-couleur","tag-dispositif","tag-forme","tag-volume"],"_links":{"self":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/comments?post=3714"}],"version-history":[{"count":5,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3714\/revisions"}],"predecessor-version":[{"id":3720,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3714\/revisions\/3720"}],"wp:attachment":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/media?parent=3714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/categories?post=3714"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/tags?post=3714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}