{"id":3019,"date":"2021-07-22T20:15:11","date_gmt":"2021-07-22T18:15:11","guid":{"rendered":"http:\/\/jlggb.net\/blog7\/?p=3019"},"modified":"2021-07-24T00:14:40","modified_gmt":"2021-07-23T22:14:40","slug":"lygia-clark","status":"publish","type":"post","link":"http:\/\/jlggb.net\/blog7\/lygia-clark\/","title":{"rendered":"Lygia Clark"},"content":{"rendered":"<p><a href=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-scaled.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3026\" src=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-scaled.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-scaled.jpg 2560w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-1800x1350.jpg 1800w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-768x576.jpg 768w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-1536x1152.jpg 1536w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-2048x1536.jpg 2048w, http:\/\/jlggb.net\/blog7\/wp-content\/uploads\/2021\/07\/lygia-clark-manipulable-20210722-jlggb-150x113.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nJeudi 22 juillet 2021, 20h 15, Mus\u00e9e national d\u2019art moderne, Centre Pompidou, Paris, exposition \u00ab Elles font l\u2019abstraction \u00bb. Lygia Clark (1920-1988, Rio de Janeiro), <em>Bicho \u00ab\u00a0Monumento a todas as situa\u00e7\u00f3es \u00bb<\/em>, 1964, sculptures en aluminium. Artiste marquante du mouvement n\u00e9o-concret du Br\u00e9sil, impliquant une manipulation, elle a produit notamment une s\u00e9rie de sculptures en aluminium, compos\u00e9es de plaques reli\u00e9es entre elles par des charni\u00e8res, propres \u00e0 \u00eatre d\u00e9pli\u00e9es. La notion d&rsquo;art concret fut formul\u00e9e pr\u00e9c\u00e9demment par Max Bill&nbsp;: \u00ab concret est le contraire d&rsquo;abstrait&nbsp;: l&rsquo;art figuratif est abstrait de la r\u00e9alit\u00e9, tandis que l&rsquo;art non-figuratif, qui est une pure cr\u00e9ation de l&rsquo;esprit, devient concret par sa mat\u00e9rialisation.\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeudi 22 juillet 2021, 20h 15, Mus\u00e9e national d\u2019art moderne, Centre Pompidou, Paris, exposition \u00ab Elles font l\u2019abstraction \u00bb. Lygia Clark (1920-1988, Rio de Janeiro), Bicho \u00ab\u00a0Monumento a todas as situa\u00e7\u00f3es \u00bb, 1964, sculptures en aluminium. Artiste marquante du mouvement n\u00e9o-concret du Br\u00e9sil, impliquant une manipulation, elle a produit notamment une s\u00e9rie de sculptures en &hellip; <a href=\"http:\/\/jlggb.net\/blog7\/lygia-clark\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Lygia Clark<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,107],"tags":[495,496],"class_list":["post-3019","post","type-post","status-publish","format-standard","hentry","category-construire","category-eprouver","tag-bresil","tag-concret"],"_links":{"self":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/comments?post=3019"}],"version-history":[{"count":10,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3019\/revisions"}],"predecessor-version":[{"id":3038,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/posts\/3019\/revisions\/3038"}],"wp:attachment":[{"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/media?parent=3019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/categories?post=3019"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jlggb.net\/blog7\/wp-json\/wp\/v2\/tags?post=3019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}