{"id":2373,"date":"2018-12-26T17:10:19","date_gmt":"2018-12-26T16:10:19","guid":{"rendered":"http:\/\/jlggb.net\/blog6\/?p=2373"},"modified":"2019-01-06T17:18:10","modified_gmt":"2019-01-06T16:18:10","slug":"calligraphie-dune-calligraphe","status":"publish","type":"post","link":"http:\/\/jlggb.net\/blog6\/2018\/12\/26\/calligraphie-dune-calligraphe\/","title":{"rendered":"Les blanches nu\u00e9es voguent sans fin"},"content":{"rendered":"<p><a href=\"http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2019\/01\/shunso-machi-20181226-jlggb.jpg\" data-rel=\"lightbox-image-0\" data-imagelightbox=\"0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2019\/01\/shunso-machi-20181226-jlggb.jpg\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-2374\" srcset=\"http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2019\/01\/shunso-machi-20181226-jlggb.jpg 2400w, http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2019\/01\/shunso-machi-20181226-jlggb-300x225.jpg 300w, http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2019\/01\/shunso-machi-20181226-jlggb-768x576.jpg 768w, http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2019\/01\/shunso-machi-20181226-jlggb-1024x768.jpg 1024w, http:\/\/jlggb.net\/blog6\/wp-content\/uploads\/2019\/01\/shunso-machi-20181226-jlggb-150x113.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nMercredi 26 d\u00e9cembre 2018, 17h, exposition <em>Japon-Japonismes. Objets inspir\u00e9s,1867-2018<\/em>, Mus\u00e9e des Arts D\u00e9coratifs. Son exposition ici en 1981 eu un grand retentissement : reconnaissance d&rsquo;une calligraphie japonaise contemporaine, une femme grande calligraphe : Shunso Machi \u753a\u6625\u8349 (1922-1995). <em>Les blanches nu\u00e9es voguent sans fin<\/em> (vers chinois), 1982, paravent, papier dor\u00e9, encre, textile.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mercredi 26 d\u00e9cembre 2018, 17h, exposition Japon-Japonismes. Objets inspir\u00e9s,1867-2018, Mus\u00e9e des Arts D\u00e9coratifs. Son exposition ici en 1981 eu un grand retentissement : reconnaissance d&rsquo;une calligraphie japonaise contemporaine, une femme grande calligraphe : Shunso Machi \u753a\u6625\u8349 (1922-1995). Les blanches nu\u00e9es voguent sans fin (vers chinois), 1982, paravent, papier dor\u00e9, encre, textile.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,6],"tags":[421,328,420],"class_list":["post-2373","post","type-post","status-publish","format-standard","hentry","category-collection","category-notation","tag-calligraphie","tag-japon","tag-shunso-machi"],"_links":{"self":[{"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts\/2373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/comments?post=2373"}],"version-history":[{"count":7,"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts\/2373\/revisions"}],"predecessor-version":[{"id":2381,"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/posts\/2373\/revisions\/2381"}],"wp:attachment":[{"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/media?parent=2373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/categories?post=2373"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jlggb.net\/blog6\/wp-json\/wp\/v2\/tags?post=2373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}