{"id":1037,"date":"2014-04-06T16:00:27","date_gmt":"2014-04-06T14:00:27","guid":{"rendered":"http:\/\/jlggb.net\/blog4\/?p=1037"},"modified":"2014-04-13T23:27:42","modified_gmt":"2014-04-13T21:27:42","slug":"le-sol-comme-ecran","status":"publish","type":"post","link":"http:\/\/jlggb.net\/blog4\/?p=1037","title":{"rendered":"Le sol comme \u00e9cran"},"content":{"rendered":"

\"didi-palais\"<\/a>
\nDimanche 6 avril 2014, 16h, Palais de Tokyo. Deuxi\u00e8me visite. Georges Didi-Huberman et Arno Gisinger, Nouvelles histoires de fant\u00f4mes<\/em>, en r\u00e9f\u00e9rence \u00e0 l’Atlas Mn\u00e9mosyne<\/em> d’Aby Warburg, une installation faite de citations de 23 films au sol, de photographies des versions pr\u00e9c\u00e9dentes de l’exposition au mur. On sait que le cin\u00e9ma met d\u00e9sormais le spectateur en position de lecteur, de visiteur, ou de somnambule. Dans les pays germaniques, dans l’entre-deux-guerres, l’art s’\u00e9tait politis\u00e9, l’art devait s’associer au didactique. La question doit \u00eatre pos\u00e9e de nouveau.
\nFilms cadr\u00e9s : Jean Rouch, Cimeti\u00e8res dans les falaises<\/em>, 1951; Alexandre Dovjenko, Arsenal<\/em>, 1929, La Terre<\/em>, 1930; Jean-Luc Godard, Vivre sa vie<\/em>, 1962 (avec un extrait de Dreyer, La Passion de Jeanne d’Arc<\/em>, 1927); Glauber Rocha, Terra em transe<\/em>, 1967; Harun Farocki, \u00dcbertragung<\/em>, 2007.
\nVoir l’entretien : http:\/\/www.palaisdetokyo.com\/fr\/exposition\/nouvelles-histoires-de-fantomes<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dimanche 6 avril 2014, 16h, Palais de Tokyo. Deuxi\u00e8me visite. Georges Didi-Huberman et Arno Gisinger, Nouvelles histoires de fant\u00f4mes, en r\u00e9f\u00e9rence \u00e0 l’Atlas Mn\u00e9mosyne d’Aby Warburg, une installation faite de citations de 23 films au sol, de photographies des versions pr\u00e9c\u00e9dentes de l’exposition au mur. On sait que le cin\u00e9ma met d\u00e9sormais le spectateur en … Continuer la lecture de Le sol comme \u00e9cran<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[254,187,111],"tags":[262,261,260],"class_list":["post-1037","post","type-post","status-publish","format-standard","hentry","category-art","category-cinema","category-exposition","tag-arno-gisinger","tag-didactique","tag-georges-didi-huberman"],"_links":{"self":[{"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=\/wp\/v2\/posts\/1037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1037"}],"version-history":[{"count":0,"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=\/wp\/v2\/posts\/1037\/revisions"}],"wp:attachment":[{"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1037"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jlggb.net\/blog4\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}